With no fewer than eight couples vying for our attention, <I>Love Actually</I> is like the Boston Marathon of romantic comedies, and everybody wins. Having mastered the genre as the writer of <I>Four Weddings and a Funeral</I>, <I>Notting Hill</I>, and <I>Bridget Jones's Diary</I>, it appears that first-time director Richard Curtis is just like his screenplays: He just wants to be loved, and he'll go to absurdly appealing lengths to win our affection. With <I>Love Actually</I>, Curtis orchestrates a minor miracle of romantic choreography, guiding a brilliant cast of stars and newcomers as they careen toward love and holiday cheer in London, among them the Prime Minister (Hugh Grant) who's smitten with his caterer; a widower (Liam Neeson) whose young son nurses the ultimate schoolboy crush; a writer (Colin Firth) who falls for his Portuguese housekeeper; a devoted wife and mother (Emma Thompson) coping with her potentially unfaithful husband (Alan Rickman); and a lovelorn American (Laura Linney) who's desperately attracted to a colleague. There's more--too much more--as Curtis wraps his Christmas gift with enough happy endings to sweeten a dozen other movies. That he pulls it off so entertainingly is undeniably impressive; that he does it so shamelessly suggests that his writing fares better with other, less ingratiating directors. <I>--Jeff Shannon</I>
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