Too old for Hamlet and too young for Lear--what's an ambitious actor to do? Play the Devil, of course. Jack Nicholson did it in <i>The Witches of Eastwick</i>; Robert De Niro did it in <i>Angel Heart</i> (as Louis Cyphre--get it?). In <i>The Devil's Advocate</i> Al Pacino takes his turn as the great Satan, and clearly relishes his chance to raise hell. He's a New York lawyer, of course, by the name of John Milton, who recruits a hotshot young Florida attorney (Keanu Reeves) to his firm and seduces him with tempting offers of power, sex, and money. Think of the story as a twist on John Grisham's <i>The Firm</i>, with the corporate evil made even more explicit. Reeves is wooden, and therefore doesn't seem to have much of a soul to lose, but he's really just our excuse to meet the devil. Pacino's the main attraction, gleefully showing off his--and the Antichrist's--chops at perpetrating menace and mayhem. The film was directed by Taylor Hackford (<I>Against All Odds</I>, <I>Dolores Claiborne</I>), who provides alternate-track commentary for the movie itself, plus a dozen deleted scenes. Also note: due to a settlement with artist Frederick Hart over the movie's use of a sculpture resembling his <I>Ex Nihilo</I> in Washington's National Cathedral, future releases of the film will be altered. <i>--Jim Emerson</i>
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